Mandu
in Madhya Pradesh
is a place of ruins of palaces dedicated to love. It was here that the
Emperor Jehangir - probably interrupted from enjoying an afternoon of song and
dance and wine and harem - gave audience to an Englishman and hastily
granted permission to set up a trading business in India, which gave birth to
the East India Company and eventually the British Raj for over 200 years.
Sadguru ghar aayo:
(Great Sage/Guru has come to my house)
Just outside the ruins of the palace of Raja Bagh
Bahadur, lover of Rani Rupmati, sat an old man in the shade of a giant peepul
tree. Dressed in a traditional rural attire with a turban, his
tattered clothes bearing
the marks of the soil on which he sits and sleeps, he had a tanpura in one hand
and a pakhwaj in another and was singing a sweet lore, singing to the empty
ruins, with not a soul around:
|
“Rang Mahal mey
rahtaa Gunesha
sunmukh
darshan deta
Gunesh raja, gunesh
daata.
Kar meri maila re
aasha
Tera beda paar kar
deta
Gunesh raja, gunesh
daata.
|
“In the splendour of Rang Mahal
Palace
He gives face-toface darshan
Lord Ganesh, Ganesh the Giver
He grants every hope
He can take you across the river
Lord Ganesh, Ganesh the Giver”
|
I sat next to him, absorbing the mahaul
(ambience): the
ancient palace, now in ruins, the peepul tree, the old man as old the tree, and
his soulful ballad. I took the bard’s pakhwaj and gave him accompaniment.
I tipped him quite generously. Our guide asked him,
in native dialect, to sing something special for me. Instantly, he sang,
“Sadguru ghar aayo Pahuna ban kar”
(Sadguru came to me in
the guise of a guest).
I
felt that the allusion was to me. I was deeply moved.

Pravin Gandhi – Sadguru??
Godhuli:
(Go = cow; dhuli = dust)
On the outskirts of
Mandu, the wheel nuts of our rickety Amby taxi came off and we were forced to
stop. Where we had stopped were a couple of huts and cattle sheds. It was
nearing sunset, and suddenly the cows came running,
against the backdrop of
a sinking sun,
mooing, kicking up the
dust, their bells ringing, eager to see
and feed
their calves. I
realised what Godhuli is. Godhuli is
This
Moment, This Scene, This Mood. You can’t
put all that in one
painting. Providence had given me the privilege of witnessing the moment that is
Godhuli. In our culture, Godhuli is a very auspicious time (muhurat) of day, and I can understand
why. I felt blessed!
The lady of the house
brought out a charpoy (string cot) for us to sit. And water to drink. While
curious tiny tots gathered around us, one of them gave us a little baby lamb to
play with. We stayed a while even after the wheel was fixed, savouring this
Moment, Scene and Mood that is Godhuli.